Symbology

According to the Lombardist vision, Europe is a great “imperial” family that brings together indigenous peoples united by an inimitable heritage which, from the Mesolithic period through the Neolithic, culminates in the extraordinary Indo-Germanic epic. Its ideal (geo)political arrangement, in our view, is the great Eurosiberian confederation, which would replace the failed contraptions of the EU and NATO and represent a consortium based on ethno-racial, cultural, and civil foundations in the name of a shared Europid identity.

Here we present an overview of what we believe could be worthy emblems of the continent’s main macro-areas, capable of summarizing and exemplifying the history and nature of Europe’s various subregions. We note in advance that these are symbols of Indo-European tradition, linked to the true roots of our great homeland and therefore, as you will see, imbued with that solar and uranic vision typical of Aryan peoples, which shaped the Europid family by fertilizing its most ancient (continental and Mediterranean) substratum.

Commonly referred to as “Celtic,” this solar wheel or solar cross represents the essence of Europe and the Indo-European philosophy, which is uranic, virile, warrior-like, and noble. The same value is held by the Aryan symbol par excellence, the swastika, which, as you know, has been trivialized by antifascist instrumentalization.

For the Apennine peninsula (in the broad sense), the Sun of the Alps. A solar symbol associated primarily with Ligurians and Celts, very common along the Alpine arc and in the Po Valley, but also present in the central Italian lands proper, Etruscan, and in the southern Italic regions. It represents the natural cycle of the seasons, and thus of life, as well as rebirth, joy, and hope.

For Iberia, the Lauburu. A symbol that is both Basque and Celtic, with a clear solar and astral significance, also related to the life cycle.

For Gaul, the Triskelion. It embodies the power of the perfect number three, manifested through the three spirals, and represents the rotation of energies, naturally also in a solar sense. As with other solar emblems, its meaning varies depending on the orientation of the symbol.

For Britannia, the Triquetra. Another very famous Celtic symbol, whose significance is analogous to that of the Triskelion, representing the three natural forces (earth, air, water) and the three stages of the evolution of existence (life, death, rebirth), aspects of a single entity that is the whole.

For Germany, the Black Sun. It is a Germanic variant of the swastika with the same solar symbolism; it may represent a wheel of the year thanks to its twelve rays, which refer to the course of the sun and the succession of the months. Although associated with the SS, this emblem is very ancient and dates back to early Teutonic history.

For Scandinavia, the Valknut. Linked to Germanic and Norse paganism, it has a significance similar to that of the Triquetra and is intimately connected to Odinic attributes, as well as to warriors fallen in battle and received in Valhalla.

For the Balticum, the Tursaansydän. Among Finnic—and especially Baltic—peoples, symbols related to the gammadion cross are very important (see also the Latvian Pērkonkrusts), as they represent the significant Aryan heritage pertaining to their area. The emblem mentioned above has an auspicious function and also appears to be connected to the rotating hammer of Thor, as well as to the lightning bolts of the god Perkūnas, a deity common to all the peoples of the Baltic area.

For Slavia, the Hands of God. A symbol drawn from Slavic paganism and recurring in Poland, often associated with the swastika and other solar symbols.

For Russia, the Kolovrat. A pagan symbol closely linked to the Rus’ domain, referring to a Slavic solar deity and bearing the same meaning as the more widely known gammadion/hooked cross.

For the Balkans, the solar cross. This too is a classic symbol, not only Balkan, with a clear solar and astral reference, linked to the cycle of life and to eternity, and showing ethnic connections with Dacians, Thracians, and Illyrians.

For Hellas, a Balkan offshoot yet historically distinct, the Sun of Vergina. An emblem of Hellenic Macedonia, it is probably connected to the dynasty of Alexander the Great and to the Olympian pantheon, and carries with it a refined uranic significance.

Allow us, in conclusion, a brief reference to the principal symbol of Indo-European solar spirituality, namely the swastika. Setting aside political instrumentalizations, this most noble emblem connects various subcontinents of Eurasia in the name of the Aryan mentality (and also of Indo-Germanic blood) and symbolizes the sun, vital energy, astral movements, fortune, and is charged with positivity. It therefore deserves the respect of all, as it is an integral part of the ancient history of European peoples and of others of Aryan heritage.

Finally, a brief reference to the typical Indo-European white–red–black color scheme, also present in the symbol of Nazione Lombarda. It represents the functional tripartition of Aryan society composed of the spiritual sphere, the military sphere, and the rural sphere, which is reflected in the pantheon of the principal Indo-European belief systems. On this basis, we may identify in white the luminous spirit of gentility, in red the blood shed on the battlefields by our heroic forefathers, and in black the fertile soil of Europe, inseparably bound to the people and blessed by their sweat. These colors could stand on a hypothetical Eurosiberian banner, forming the background to the Indo-Germanic solar wheel mentioned at the outset.